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Top Films: w/c Saturday, May 20 – The Irish News – The Irish News
Saturday 20/05/23
Great Expectations (1946) ***** (BBC2, 1.00pm)
There have been plenty of adaptations of Charles Dickens’ novel (the BBC recently brought us Peaky Blinders’ creator Steven Knight’s take), but this one is by far and away the best. John Mills heads an excellent cast, with director David Lean creating the perfect atmosphere and setting. For the uninitiated, this classic tells the story of orphan Pip, who falls in love with the adopted daughter of an eccentric old woman, before a mysterious benefactor provides him with the opportunity to rise through the ranks of London’s high society. He soon forgets all about his humble roots, and isn’t prepared when he discovers the truth about the girl he loves and the stranger funding his new life.
The Remains of the Day (1993) ***** (BBC2, 2.55pm)
Anthony Hopkins gives one of his best performances as Stevens, a butler in a 1930s mansion who devotes himself to his master and the smooth running of the household. In fact, he’s so dedicated, he puts the demands of the job above his own emotional needs, rebuffing the advances of the spirited housekeeper Miss Kenton (Emma Thompson) – and so obedient, he fails to question his employer’s (James Fox) increasingly pro-Nazi politics. Made at the height of period-drama specialists Merchant Ivory’s powers, this sensitive adaptation transforms Kazuo Ishiguro’s acclaimed novel into a deeply moving drama. The impressive supporting cast includes Hugh Grant, Christopher Reeve, Peter Vaughan and Tim Pigott-Smith.
Confess, Fletch (2022) **** (Sky Cinema Premiere, 6.10pm) Premiere
Freelance journalist Fletch (Jon Hamm) arrives in Boston from Rome at the behest of his recent bedfellow Angela de Grassi (Lorenza Izzo). Her father has been kidnapped by three thugs with guns and the ransom is the family’s stolen Picasso painting worth around 20 million dollars, which is reportedly in the possession of germophobic art dealer Ronald Horan (Kyle MacLachlan). Unfortunately, Fletch’s base of operations in Boston, a rented townhouse belonging to Owen Tasserly (John Behlmann), contains a murdered woman… Adapted from the second book in Gregory Mcdonald’s series of award-winning mystery novels, Confess, Fletch is a fizzing crime caper. Hamm exudes an old-fashioned playfulness reminiscent of Cary Grant that is difficult to resist and the script gifts him a full arsenal of bone-dry wisecracks.
Bad Boys for Life (2020) *** (Channel 4, 9.00pm)
Miami detective Mike Lowrey (Will Smith) barely survives a drive-by shooting. When he has recovered from his injuries, Mike hungers for revenge. Long-time partner Marcus Burnett (Martin Lawrence), who has retired from the force to spend more time with his family, warns Mike against playing judge, jury and executioner. His wise counsel falls on deaf ears and Mike goes to war flanked by a team of fresh-faced recruits. Mike persuades Marcus to join him for a final hurrah across the border in Mexico. Hard-wired to entertain fans of the series, Bad Boys for Life barks to the same tune as its predecessors, albeit without Michael Bay at the helm. A heady scent of nostalgia permeates as Smith and Lawrence work tirelessly to rekindle the sparky rat-a-tat banter of their badge-wielding buddies.
Sunday 21/05/23
The Railway Children (1970) ***** (BBC1, 2.50pm)
The charming children’s adventure film based on the E Nesbit novel stars Jenny Agutter, Sally Thomsett and Gary Warren as three youngsters forced to leave their comfortable, middle-class home in London when their father is mysteriously taken into custody. Although initially horrified by their impoverished state and bleak new home in Yorkshire (the parsonage home of the Brontes in Haworth provided the location), the move opens up an exciting new world for them, centring on the local railway line. Bernard Cribbins also stars and actor Lionel Jeffries stepped behind the camera as director; he also wrote the screenplay.
School of Rock (2003) **** (Channel 4, 2.50pm)
Dewey Finn’s (Jack Black) dreams of becoming a rock star suffer a setback when he’s kicked out of his own band. Realising it might finally be time to get a job, he poses as his flatmate and starts work as a supply teacher at an exclusive private school. Dewey is initially uninterested in his pupils, but when he realises how many budding musicians are in his class, he decides to secretly turn them into his own new backing group. The role of Dewey was written with Black in mind, and it shows – he’s perfectly cast as the slobby, overbearing but ultimately likeable teacher. Even more impressively, for a comedy about performing kids teaching an adult a few life lessons, it’s short on sentiment, thanks to director Richard Linklater, who gets winningly understated performances out of his child stars.
Supernova (2020) **** (BBC2, 10.00pm) Premiere
Taking its title from the blindingly bright explosion of a dying star, writer-director Harry Macqueen’s heart-breaking drama about living with dementia juxtaposes the fear and confusion of a patient with the anguish of caring family members, using a more conventional approach to storytelling than the similarly themed The Father. Stanley Tucci and Colin Firth play longstanding lovers whose on-screen familiarity is delightfully believable from the opening shot of the couple entwined in bed, whether it be playful teasing about the shipping forecast on BBC Radio 4 or a more serious conversation about medicines. The natural flow and ease of early scenes contrasts with a fraught, tear-wringing final act.
Halloween Ends (2022) *** (Sky Cinema Premiere, 10.00pm)
Laurie Strode (Jamie Lee Curtis) puts the finishing touches to her memoir as she rebuilds her life in Haddonfield with granddaughter Allyson (Andi Matichak). She is determined to lay to rest the ghost of her tormentor, Michael Myers (James Jude Courtney and Nick Castle), but prickles of discomfort resurface when Allyson forms a romantic attachment to twentysomething misfit Corey Cunningham (Rohan Campbell). He faced an aggravated manslaughter charge three years ago after a young boy died in his care while babysitting on All Hallow’s Eve. Alas, pure evil returns to Haddonfield and Laurie faces her greatest fear. Halloween Ends is the concluding chapter of director David Gordon Green’s trilogy reboot of the influential slasher franchise, which fulfils the storytelling obligations of its title with cool efficiency.
Monday 22/05/23
Independence Day (1996) **** (Film4, 9.00pm)
Essentially a reworked version of War of the Worlds, Independence Day sees a whole host of aliens visiting Earth, intent on destroying it. After the world’s landmarks are laid to waste spectacularly, it seems to fall to the Americans – in the form of cocky, courageous fighter pilot Will Smith, computer genius Jeff Goldblum and plucky president Bill Pullman – to save the planet. Don’t let the flag-waving patriotism put you off – or the Grand Canyon-sized plot holes, such as Smith’s remarkable capacity to fly an alien spaceship and Goldblum hacking into an alien mainframe with not so much a system error in sight, for that matter – this is glorious escapism. Featuring fun performances, a super David Arnold score and impressive special effects, it’s a blockbuster that deserved the hype.
Do the Right Thing (1989) ***** (BBC2, 11.15pm)
Director Spike Lee’s powerful, provocative drama grabs you from the opening titles – which feature Rosie Perez, in her electrifying film debut, dancing to Public Enemy’s Fight the Power – and never lets go. It centres on a Brooklyn pizzeria, where the Italian-American owner (Danny Aiello) is involved in an apparently minor dispute with his predominately Black customers. However, as the temperature rises on the hottest day of the year, the simmering racial tensions in the neighbourhood reach boiling point and explode into violence. Do the Right Thing still feels shockingly timely, while the Academy’s failure to even nominate it for Best Picture – it instead gave the Oscar to Driving Miss Daisy – only seems more baffling with each passing year.
Tuesday 23/05/23
Alien: Covenant (2017) *** (Film4, 9.00pm)
Set approximately 10 years after the 2012 prequel Prometheus, Alien: Covenant joins the dots to the original trilogy with strong echoes of Sigourney Weaver’s exploits as Ripley, somewhat meekly mimicked here by Katherine Waterston. The Weyland-Yutani Corporation vessel Covenant is bound for a remote planet with 15 crew and 2,000 colonists in cryogenic stasis. Synthetic android Walter (a scene-stealing Michael Fassbender, who takes a dual role) keeps watch until a neutrino burst from a star causes a “destructive event” that prematurely wakes the crew. They stumble upon a distress signal broadcast from a nearby planet that sensors reveal would make an idyllic new home and set out to investigate. But they are not alone on this new world…
Vice (2018) **** (BBC2, 11.15pm)
In 1963 Wyoming, a young Dick Cheney (Christian Bale) works on the power lines and drinks to excess. He is a crushing disappointment to 21-year-old sweetheart Lynne (Amy Adams), whose father also lives by the bottle. In response, Dick secures an internment at the White House, where he assiduously aligns himself with Republican Congressman Donald Rumsfeld (Steve Carell). By playing the waiting game on Capitol Hill, Dick manoeuvres himself into the position of running mate to George W. Bush (Sam Rockwell) during the 2000 US presidential election. Written and directed by Adam McKay, Vice is a briskly paced and engrossing portrait of ambition, which nervously prowls the corridors of power in Washington DC to satirise a true story of malicious meddling and unabashed self-interest.
Wednesday 24/05/23
Men in Black (1997) **** (Film4, 9.00pm)
Forget the pointless reboot Men in Black: International, the original movie is still the best. Will Smith stars as a streetwise cop who is recruited to join a secret agency that polices aliens living on Earth. Usually, the job is all about peaceful co-existence, but the rookie has joined up just as just as a body-swapping extra-terrestrial giant insect (hilariously and unsettlingly embodied by Vincent D’Onofrio) begins a reign of terror in New York City. It’s up to the new boy and his seen-it-all-before partner (the delightfully deadpan Tommy Lee Jones) to save the world. Director Barry Sonnenfeld pulls off a blindingly successful sci-fi comedy, balancing impressive special effects with some very big laughs.
Fight Club (1999) ***** (Film4, 10.55pm)
An insomniac office worker (Edward Norton) is tired of his boring day job and spends his evenings crashing support groups for illnesses he doesn’t have. However, when he meets mysterious soap salesman Tyler Durden (Brad Pitt) on a plane back from one of his business trips, they establish a very different kind of club where similarly frustrated men come to vent their anger in the form of bare-knuckle fighting. With a star-studded cast, including Helena Bonham Carter in what was then seen as a huge departure from her period movie roles, director David Fincher’s pitch-black comedy became an instant cult classic. In fact, author Chuck Palahniuk, who wrote the book on which Fight Club is based, has even said that he thinks the film is an improvement on his novel.
Thursday 25/05/23
The Color Purple (1985) **** (BBC4, 9.30pm)
Steven Spielberg wasn’t the obvious choice to bring Alice Walker’s acclaimed 1982 novel to the big screen, especially in 1985 when he was just coming off Indiana Jones and the Temple of Doom. However, it’s the movie that proved he could do more than make summer blockbusters. The Color Purple also gave Whoopi Goldberg an extraordinary breakthrough role as Celie, a young African-American woman in early 20th-century Georgia, who is abused by her father (Leonard Jackson) and then married off to a man (Danny Glover) who also mistreats her. There’s strong support from Margaret Avery and Oprah Winfrey, who were both Oscar-nominated along with Goldberg.
Shallow Grave (1994) ***** (Film4, 10.45pm)
Three flatmates try to find a fourth person to share their spacious Edinburgh apartment, but their chosen new lodger dies of an overdose on his first night, leaving behind a suitcase full of cash. The trio decide to keep quiet about his death and hang on to the money, but disposing of the body has a traumatic effect on one of them, and the presence of all that loot – not to mention a dogged detective – soon has the friends turning on each other. First-time director Danny Boyle would go on to make the even more successful Trainspotting and the Oscar-winning Slumdog Millionaire, and his promise is very apparent in this slick, gripping and blackly funny thriller. There’s also plenty of talent in front of the camera too, with Kerry Fox, Ewan McGregor and Christopher Eccleston playing the flatmates.
Friday 26/05/23
Eighth Grade (2018) **** (BBC3, 9.00pm)
Thirteen-year-old Kayla Day (Elsie Fisher) is in the final stretch of solitude at Miles Grove Middle School. She stands awkwardly on the precipice of a more formidable challenge – high school – without any emotional support except for her father (Josh Hamilton). Unexpectedly, Kayla receives an invitation to a pool party thrown by classmate Kennedy Graves (Catherine Oliviere). Kennedy only extended the invitation under parental duress but Kayla attends nevertheless, hoping to bump into her unrequited crush, Aiden (Luke Prael). Directed by comedian Bo Burnham, Eighth Grade joins an elite class of cinematic coming-of-age stories which candidly reflect a pivotal moment when hormones rage, bodies develop at an alarming rate and every heartbreak is amplified beyond rational thought to the end of days.
Fast & Furious 7 (2015) **** (ITV, 10.45pm)
The seventh instalment of The Fast and the Furious franchise begins directly after the events of Fast & Furious 6 with corrupt British soldier Owen Shaw (Luke Evans) on life support in a London hospital. Owen’s older brother Deckard (Jason Statham) seeks revenge against Dominic Toretto (Vin Diesel), Brian O’Conner (Paul Walker) and their crew. Deckard hacks into the computer of federal agent Luke Hobbs (Dwayne Johnson) to ascertain the whereabouts of the team and doles out a near fatal pummelling to Hobbs in the process. Meanwhile, Dominic’s crew prepare for war. Fast & Furious 7 is dedicated to the memory of Walker, who died midway through production, and a heartfelt coda provides Diesel with an opportunity to publicly say farewell to his cinematic brother in arms.
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Is the Canelo Alvarez fight perfect timing for Jermell Charlo? Age … – Sporting News
Since putting on gloves at 13 years old, Canelo Alvarez has gone from red-haired rookie sensation to boxing royalty.
Born in Guadalajara, the Mexican star has won gold in four divisions and he’s the current undisputed super middleweight champion. He has beaten the best in boxing, including Shane Mosley, Miguel Cotto, Amir Khan, and Gennadiy Golovkin.
Now 33, the battle-hardened Canelo has transitioned into the “veteran” category and some feel his best years are behind him. He now seeks to prove his doubters wrong when he defends his titles against Jermell Charlo on September 30.
“I always believe that I’m number one, my whole career,” Canelo said at a media workout. “You need to believe in yourself, I still believe I’m number one. But I believe there is more than just one fighter alone at the top, there are a few. I still feel young and fresh. I never think about the end of my career. I just train and fight year after year. I still feel that I’m at my best.”
The Canelo-Charlo fight takes place at the T-Mobile Arena in Las Vegas, a familiar home for Canelo, whereas Charlo is headlining there for the first time. The 12-round bout, plus undercard action, will air on Showtime PPV in the U.S. and DAZN in the U.K.
MORE: The best five years in boxing history revisited
Per Sports Interaction, Canelo is the -388 favorite, while Charlo, the undisputed super welterweight champion, is the +288 underdog. Despite those odds, Charlo, also 33, sees himself as the better fighter.
“This is the biggest fight in boxing, and I’m coming to leave it all in the ring like I do every time,” Charlo said. “I manifested this fight into existence and earned it with everything I’ve done in this sport so far. Canelo is a great fighter, but he’s gonna see what Lions Only is all about. When the fight’s over, people are gonna have to recognize that I’m the best fighter in the sport.”
Charlo is not worried about the weight gain, having to move up two weight classes to take on Canelo. Sparring big men and working alongside his brother Jermall, the WBC middleweight champion, Jermell believes this is the perfect time to fight Canelo.
Does Charlo have a fair point? Could Canelo be overlooking the supposedly smaller man?
Canelo already announced his intentions on The Breakfast Club to retire around 36-37. He even teased retirement if he lost to John Ryder in May, which is a fight he would go on to win by unanimous decision. A former pound-for-pound No. 1, Canelo has tough challenges ahead of him outside of Charlo, including David Benavidez and a potential rematch against light heavyweight champion Dmitry Bivol.
Boxing great Bernard Hopkins believes Charlo is a different challenge for Canelo, who hasn’t fought below super middleweight since 2019.
WATCH: Canelo Alvarez vs. Jermell Charlo, live on DAZN
“His style is totally different from the styles that Canelo has fought. [Charlo is] younger, more determined to prove that Canelo’s time has been great, but it’s up,” Hopkins told Fight Hype via Boxing Social. “I just believe that Canelo will have to get him out of there early. The later the fight goes, the more Canelo will start showing not only his age but he’ll start showing the success he’s been enjoying for so long is starting to look different.
“I see hard-earned, skillful moments in that fight where [Charlo], who wants to prove himself, will come out and show us something that we knew he had, but he’s never had to show it till he steps in with Canelo. Canelo elevates Charlo. I just think he has the skills, and if he maintains that mentality, it can be really a nightmare for Canelo, based on style.”
Charlo was supposed to fight Tim Tszyu for super welterweight gold before a hand injury nixed a planned bout. He wants to become undisputed at 168, return to 154, and potentially take on pound-for-pound No. 1 Terence Crawford. Regardless of his upcoming plans, Charlo’s focus is solely on beating Canelo, the man who has had beef with both brothers.
Holding more gold and honoring family is enough motivation for Charlo. Though he has proven everyone wrong over the years, the current uncertainty surrounding Canelo may be the perfect time for the Louisiana-born Charlo to face the super middleweight king.
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US says to complete offshore wind auctions on schedule next year – ETEnergyWorld
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Pa. public colleges battle for students and funding – Inside Higher Ed
Enrollment in the state has plummeted, but it has one of the highest ratios of institutions to students in the country. The result is fierce competition over a dwindling pool of applicants.
By Liam Knox
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Daniel Greenstein, chancellor of the Pennsylvania State System of Higher Education, stands in front of a downward-trending graph showing state high school graduation rates in 2019. As enrollment nosedived across the state’s public colleges, Greenstein merged campuses in his system.
Ben Hasty/MediaNews Group/Reading Eagle via Getty Images
Pennsylvania has a numbers problem.
With nearly 250 colleges and universities, including over 40 public institutions, Pennsylvania has the fourth most higher education institutions of any state, after California, Texas and New York. It is home to four public multicampus institutions—Pennsylvania State University, the University of Pittsburgh, Temple University and the Pennsylvania State System of Higher Education (PASSHE)—in addition to Lincoln University, an HBCU, and a sprawling, decentralized network of community colleges. That’s not even counting the 129 private colleges.
But while there’s no shortage of suppliers, demand for higher education in the Keystone State is nowhere near what it used to be.
While the more popular campuses are stable or growing, many of the state’s public institutions have seen drastic enrollment declines since 2010. Enrollment at Penn State’s University Park campus is up 8 percent since 2010, and Pitt Oakland is up by 1 percent. But when the numbers at the two institutions are considered, including all of their campuses, both have suffered drops of over 30 percent, according to public data from the institutions. PASSHE’s systemwide enrollment has also fallen by 30 percent in the same period.
Those enrollment declines are largely thanks to steep drops at the regional comprehensive universities, which in many cases are over 50 percent. Enrollment at Penn State Hazleton, for instance, has dropped by 64 percent since 2010; at Pitt Titusville it has fallen by 96 percent, leaving only 23 students on campus in 2022.
There are a number of usual suspects behind Pennsylvania’s enrollment crisis, chief among them a general demographic decline in the state. The entire nation is facing a projected demographic cliff in 2026, but Pennsylvania is on the bleeding edge, hemorrhaging residents faster than 46 other states, according to 2022 census data.
But Andrew Koricich, executive director of the Alliance for Research on Regional Colleges, said neither explanation tells the whole story. Affordability is the crux of the state’s enrollment woes, he said, not falling birth rates.
“The demographic cliff is a convenient scapegoat sometimes,” he said. “It allows lawmakers and college leaders to say, ‘Oh, well, it’s inevitable. There’s nothing we can do.’”
In 2021 Pennsylvania ranked 49th in the country in public funding for higher education per full-time student, according to the State Higher Education Executive Officers Association’s higher education finance report. Pennsylvania state funding is tied to enrollment and retention outcomes, which, as has been noted, are on the decline.
As a result, the state’s public institutions are also some of the most expensive in the country. The average cost of attending a state institution for a Pennsylvania resident is $26,040, nearly 70 percent more than the national average, making it the third most expensive state for public higher education, according to a recent Education Data Initiative report.
PASSHE chancellor Daniel Greenstein noted that for many Pennsylvania institutions, his own included, the demographic drop-off doesn’t account for the extent of the enrollment declines. While the state’s college-going demographics have fallen by a little over 5 percent, most colleges’ enrollment drops have been well into the double digits.
“We’re the most affordable option in Pennsylvania, but that’s not a high bar. It’s really expensive to go to public college in this state,” Greenstein said. “Price matters a lot, and differentiating based on affordability matters now more than ever. That’s something we’re trying to focus on.”
For Koricich, this is the crux of the problem that he says lawmakers aren’t seeing clearly: less state funding means less affordable college, which in turn contributes to a vicious cycle of enrollment declines and student exodus from the state. Many of those students who might otherwise have gone to regional universities and remained in the area then also resettle after graduating, compounding existing workforce shortages.
“If you keep making college unaffordable to people, why would we be surprised that they want to leave?” he said.
Greenstein echoed those concerns, though he feels that lawmakers on both sides of the aisle are willing to help buoy higher education when tied to workforce outcomes. But he said time is of the essence, as neighboring states with more public funding offer similar educational benefits for a fraction of the price—like New York, which offers free tuition for students whose family income is under $125,000 a year.
“When states around us are acting in a very deliberate and aggressive way, you’re gonna find our students leaving the state to get their education, and they don’t come back,” Greenstein said. “At this point we gotta boogie, because we’re not too far off.”
Last summer, PASSHE merged six of its campuses into two multicampus institutions in a process the system called “integration,” in order to cut costs and center student success, according to Greenstein, as well as maintain the system as a driver of workforce development and social mobility in the state.
Bashar Hanna, president of Commonwealth University—which is made up of the former Lock Haven, Bloomsburg and Mansfield University campuses in the rural center and north of the state—said the integration process made a big difference. Not only did it reduce inefficiencies and expenses, he said; it also helped them make the case the case for the commonwealth to students from local school districts by allowing them to combine their resources for recruitment and student success.
Last year enrollments decreased at all three campuses, but Hanna said new student deposits for the fall are up by 8 percent this year.
“Rural Pennsylvania is not thriving … we wanted to make sure that our students were going to college locally, meaning within 75 miles of home, and then the likelihood of them staying after they graduate goes up exponentially,” Hanna said. “We’re not back to pre-COVID enrollment levels, but we’re certainly much better off than we were a few years ago.”
State lawmakers rewarded those efforts by approving PASSHE’s largest budget increase ever last year, at 16 percent. That was followed by another 6 percent increase in this year’s proposed budget, which is currently stalled in the General Assembly.
Other public institutions are still floundering. Penn State has been vocally lobbying for more state support, claiming that it has been comparatively underfunded for years. In September the university requested a 48 percent appropriations increase.
Lisa Maria Powers, Penn State’s assistant vice president of media and executive communications, said the university has had the lowest per-student state funding of any in Pennsylvania for over half a century. According to a university analysis, Penn State is funded at $5,600 per resident student, compared to $8,275 for Temple and $9,049 for Pitt; the national per-student average for state funding was $9,327 in 2021, according to a SHEEO analysis.
PASSHE is also the only state-owned system in Pennsylvania, with a Board of Governors entirely appointed by the governor with approval from the Legislature. Penn State, Pitt and Temple describe themselves as “state-related” and have much more leeway to operate as independent bodies. The majority of their governing boards are elected by alumni.
Koricich said that helps explain why PASSHE has taken on the task of consolidation and fat-trimming while Penn State has left its sprawling network of campuses largely untouched, despite many of them experiencing much higher enrollment declines. But he is not a fan of PASSHE’s integration plan. It has a bevy of critics, in fact, something Koricich realizes comes with the territory of making difficult decisions. He just doesn’t think those decisions were necessary—or that they’ll lead to enrollment increases.
“Now you’ve thrown six regional publics in front of a freight train, for what?” Koricich said. “To me, the state’s willingness to just let PASSHE kind of fall on the sword is missing the fundamental problem here, which is that the flagships are just sucking up all of the oxygen.”
Greenstein said the cuts associated with integration did not affect student services or popular programs.
“We did this to serve students better,” he said. “Somehow, someway, this problem has to be addressed or Pennsylvania higher ed is going to be in a bad state.”
Robert Gregerson, president of the University of Pittsburgh at Greensburg, is working to mitigate the effects of a 27 percent enrollment decline in the past decade. He said that while the Pitt system was too small for mergers to be a consideration there, he understood the path PASSHE was taking.
“The era of continual growth is in the rearview mirror,” he said. “State institutions not only in Pennsylvania but across the Midwest and Northeast are going to have to figure out what rightsizing means for them.”
Pennsylvania is one of a handful of states with no state higher education commission or governing board to oversee its public universities; each institution has a highly prized and carefully guarded autonomy.
For Koricich, that’s part of the problem.
“There is no coordinating board, there is no governing board, there is no referee to say all of these different institutions in different sectors with different finances have to play nicely together,” he said.
Penn State, Koricich said, has benefited the most from this oversight vacuum. With 20 campuses across the state, it is by far the largest higher education presence in Pennsylvania; PASSHE had 14 before its integration plan took effect—it now has 10—and Pitt has five. Koricich said that without state intervention, Penn State has been able to eat away at a dwindling pool of in-state students looking to attend a regional public institution, exacerbating the enrollment crisis for some of the state’s most hard-hit colleges and universities.
“Some of [Penn State’s campuses] are within 30 miles of PASSHE schools; some of them are right on top of community colleges. One of those places has a brand name that everyone recognizes and the others don’t,” he said. “[State lawmakers] have let this behemoth just sort of run roughshod over higher ed in the state, and they haven’t done anything to control it.”
Powers, of Penn State, pushed back on this portrayal. She said the university’s branch locations are crucial to its land-grant mission, and that they serve primarily local populations of underserved students.
“Our Commonwealth Campuses have been around a long time, some nearly 100 years; and all of Penn State’s campuses pre-date the formation of PASSHE. In addition, almost all of our campuses were in place well before the introduction of community colleges in Pennsylvania,” Powers wrote in an email to Inside Higher Ed.
Some believe the current crisis requires more coordination between the disparate independent institutions and could lead lawmakers to explore the possibility of a central oversight body. Pennsylvania governor Josh Shapiro, a Democrat elected last year, called for a rethinking of the loose structure during a budget address in March.
“What we are doing right now isn’t working,” he said. “Colleges are competing with one another for a limited dollar: they’re duplicating degree programs, they’re driving up the cost and they’re actually reducing access.”
Some, like Greenstein, prefer incentives and market-based solutions to the issue; while PASSHE is consolidating campuses, he said the move may not be right for other Pennsylvania institutions.
But Gregerson said that if there were a time to experiment with statewide coordination, it’s now.
“There have been conversations about that in the past which didn’t produce any change. But I think we might be at a point now where folks will take it more seriously,” he said. “Whether there’s the political will for that, I don’t know. But I think it could be helpful.”
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