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David Fincher Directed Fight Club Because David O. Russell 'Didn't … – /Film
“Fight Club” is a movie people either love or hate. Some viewers are drawn to the nihilistic rants and machismo of Tyler Durden (Brad Pitt), while others are turned off by his constant violence and ramblings about the emptiness of consumerism and society. Chuck Palahniuk, who wrote the novel the film is based on, prides himself on eliciting strong, yet polarizing, reactions through his words. In an interview with The Guardian, he admitted, “I’m fascinated by low fiction that generates a physical response: disgusts the reader, makes them hungry or sexually aroused.”
The story of an Ikea-obsessed corporate drone running an underground fighting ring that partakes in breaking and entering and terrorism on the side is a decent premise that might catch an audience’s attention, but Palahniuk kicks it up a notch with brutal violence, unabashed sexuality, and unapologetic nihilism. Nothing ruffles feathers quite like the blend of blood, sex, and philosophy, which seems to be exactly what Palahniuk was hoping to do.
When the book was optioned as a film, Hollywood directors also had strong reactions to the story, but they weren’t the ones the author intended. According to Brian Raftery in his book “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” (via The Ringer), instead of disgust, hunger, or sexual arousal, filmmaker David O. Russell was confused and admitted he just “didn’t get it.” However, David Fincher connected with the story, and saw it as a “rallying cry” for a disaffected generation.
The directors’ differences of opinion might come down to the type of films and characters they’re drawn to. Russell’s filmmaking resumé is full of second coming-of-age stories, where people in their late twenties to thirties experience a cataclysmic event or sudden change that forces them into a new phase of life. To enjoy these films, it’s critical for the audience to connect with the characters, and feel the crush of their failures and pride in their accomplishments along with them. There is certainly a place for these movies in cinema, but this isn’t the kind of directing style that would have benefited “Fight Club.”
While some viewers might enjoy the film overall, it’s unlikely that audiences will relate to the main characters. Tyler is entertaining, but also macho and egotistical, and the Narrator (Edward Norton) might actually be worse, since he’s whiny, weak, rude, and oblivious. In light of this, it’s safe to say that relying on the audience’s ability to fall in love with the characters is a one-way trip to failure, which is why it’s a good thing Russell passed on the film and left it to Fincher.
Rather than creating an emotional connection between his characters and the audience, Fincher focuses on making his characters’ beliefs relatable. Durden isn’t a likable character, but that doesn’t mean all of his opinions on overconsumption and corporatism are wrong. Likewise, the Narrator comes off as entitled, but it’s easy to understand his belief that it’s best to blend in with the crowd and live a comfortable life on expensive furniture. Fincher’s style of connecting audiences with character’s beliefs and opinions is why he was the best choice for “Fight Club.”
Plus, he already had experience with shocking endings.
To properly communicate a character’s beliefs, the director has to understand them, which is another reason Fincher was the right man for the job. As he explained in the book:
“I was in my late thirties, and I saw that book as a rallying cry. Chuck was talking about a very specific kind of anger that was engendered by a kind of malaise: ‘We’ve been inert so long, we need to sprint into our next evolution of ourselves.’ And it was easy to get swept away in just the sheer juiciness of it.”
The director related to Durden’s resentment and boredom, but Pitt, who gained worldwide fame before appearing in the film, was attracted to the character’s thoughts on wealth and consumerism:
“I’m the guy who’s got everything, [but] once you get everything, then you’re just left with yourself. I’ve said it before and I’ll say it again: It doesn’t help you sleep any better, and you don’t wake up any better because of it.”
Meanwhile, Norton said Durden’s beliefs reflected the feelings of entire generations:
“It took aim right at what a lot of us were starting to feel. The book was so sardonic and hilarious in observing the vicissitudes of Gen-X/Gen-Y’s nervous anticipation of what the world was becoming— and what we were expected to buy into.”
As much as viewers may react to the unsympathetic characters or the violence, sex, and machismo throughout the film, Durden’s belief that modern society lacks purpose and is lost in consumerism is the most compelling aspect of the film, which is why Fincher’s directing style fit the story perfectly.
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Boxing News: Early Results from Verona, NY » September 25, 2023 – Fight News
By Boxing Bob Newman at ringside
In a highly skilled and very tactical fight, Junior Lightweights Abraham “Super” Nova and Adam “Blu Nose” Lopez lived up to the predictions that they might deliver the fight of the night. After three tactical rounds, things heated up in the fourth with a nice toe to toe exchange late in the round. In the fifth, a beautiful right-left-right combination deposited Lopez hard on his back. As Nova tried to cut off the ring and follow up on his advantage, he could be heard saying, “It’s my birthday…I got to get this win,” to a retreating Lopez. (It is in fact Nova’s 29th birthday). Nova was credited with another knockdown in the sixth, as Lopez tried to hold on after being raked along the ropes and stumbled to the canvas when he couldn’t keep his grip on a backpedaling Nova. Lopez managed to gather himself in the seventh and actually appeared to take the eighth, snapping Nova’s head with some beautiful combinations at the end of the round.
Nova was able to hop on his bicycle in the ninth and hold off a charging Lopez with his jab. The tenth and final round was something out of the movies. Both men teed off on each other seemingly non-Stop for easily two out of the three minutes that the round lasted. It was amazing that nobody went down, but Nova capped the round and the fight off by staggering Lopez with the final blows of the fight. Even though 2023 is only 14 days old, it will take some doing to pass this is the round of the year! The final scores were 97-91 and 98-90 twice, all for Nova who comes back with a hard fought win after his loss to Robeisy Ramirez last year, raising his record to 22-1 15 KOs. The hard luck Lopez falls to 16-4, KOs.
Photos: Bob Newman
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Other Results…
Jr. Lightweight prospect Haven Brady, Jr. had a tougher than expected task in Colombian Ruben Cervera. While Brady looked to pick his shots, Cervera was landing a few of his own, bloodying Brady’s lower lip by the end of the second. It became a game of single shots where Brady would vocalize with each blow he threw. Seconds before the end of the fifth, Cervera nailed Brady with an overhand right that stunned him. Cervera tries to follow up and one of his blows did land after the bell, prompting a warning from referee Benjy Esteves, Jr. It appeared that Brady was a bit busier each in each round and really capped it off in the eighth and final round by controlling the ring and dictating the action to the final bell. The final tally read: 78-74, 79-73 and 80-72, all for Brady, Jr. who moves to 9-0, 4 KOs. Cervera slides to 13-4, 11 KOs.
* * *
Local darling Bryce Mills, fighting in front of hometown fans for the first time in his young career put on a solid, workman like performance over tough Margarito Hernandez. Mills displayed excellent skills, footwork and angles in systematically controlling Hernandez over the six rounds. At the end of the second, referee Charlie Fitch called in the doctor to check for bleeding from the left ear of Hernandez, which turned out to be a cut just inside the ear and not internal bleeding from the eardrum. Try as he might Mills could not stop or even drop Hernandez and he did take a few shots from the gritty Washingtonian. In the end, all three judges saw it 60-54 for Mills 11-1, 4KOs. Hernandez slips under .500 at 3-4-1.
* * *
Rising welterweight knockout artist Brian Norman, Jr. tried to blitz Rodrigo Coria in the opening round and almost pulled off the trick. Coria appeared out on his feet seconds into the about, the bottom strand of rope in the neutral corner holding him up, but referee Mark Nelson let matters continue when Coria fought back. Norman Jr. appeared to tire and then paced himself for the rest of the round, letting Coria off the hook. The pace slowed markedly the second, then Norman picked things up a little bit more in the third, but Coria did back Norman to the ropes with some good body work. Coria controlled the fourth with good jabs and body work again along the ropes.
The fifth round saw both men doing good work, each taking a turn controlling pieces of the action. In the seventh, Coria landed some telling headshots in rapid succession, buckling Norman’s knees and having him groggy along the ropes. Norman was able to escape and survive the round but the crowd was now revved up! Seconds into the eighth and final round, Norman had Coria in a neutral corner when he himself was clipped and buckled again. He quickly recovered encountered cleanly, dropping Coria to his knees and bringing the crowd to its feet. It wasn’t over though as Coria fought back and stunned Norman again along the ropes. There would be no knockout. The scores were 79-72 and 77-74 twice, all for Norman, Jr. who moves to 23-0, 19 KOs, while the gallant Coria falls to 10-5, 2 KOs.
* * *
In the second fight of the night, featherweight prospect Bruce “Shu Shu” Carrington controlled Juan Antonio Lopez over 6 pedestrian rounds for a 60-54 sweep on all three judges’ scorecards. Lopez talked almost as much as he threw punches, trying to psych out the highly touted prospect Carrington. Neither fighter was hurt along the way. “Shu Shu” moves to 6-0, 3 KOs, while Lopez falls to 17-13-1, 7 KOs.
* * *
In a rare battle of novice unbeatens, Dante Benjamin, Jr. took on Emmanueal Austin in a scheduled six round light heavyweight opener. After a half round of feeling each other out, Benjamin shook Austin with a combination, finally dropping him near his own corner. A follow-up barrage had Austin reeling, forcing referee Mark Nelson to stop matters at 2:50 of the opening stanza. Benjamin Jr is now 5-0, 3KOs, while Austin loses his first at 6-1, 6KO.
That’s a great win for Nova coming off a blowout loss.
I absolutely HATE when they put another sport on right before the fight because you know it’s going to run over. It’s worst when it’s baseball, but with all those timeouts at the end of close basketball games, those things can run on and on and on.
Let’s see him step it up now
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One Brutal Scene of Edward Norton's Hulk That Makes Him Way … – FandomWire
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The Marvel Cinematic Universe keeps its movies PG-13 for a reason. Kids as well as adults enjoy these superhero movies but the MCU has broken the rule several times. Edward Norton portrayed the character of Hulk in 2008’s The Incredible Hulk quite more brutally than Mark Ruffalo.
Talking about the movie that wasn’t much of a success, fans were reminded of what the early MCU used to look like. In a brutal scene in the movie, people around the world were quit shocked when Edward Norton’s Hulk kicks Tim Roth’s Abomination into a tree with a little blood splattering on-screen!
Admittedly, the MCU hadn’t fully established itself as a cinematic universe when The Incredible Hulk was released back in 2008 the Hulk was still a part of the Marvel comics. Edward Norton, from the Fight Club fame, decided to join in for the ride by portraying the role of Bruce Banner in the movie.
Also read: “This ain’t gonna work”: Matt Damon Made a Life Changing Decision With Ben Affleck After Edward Norton Schooled Him in an Audition For an Oscar Worthy Role
Although the movie did not meet people’s expectations, the film had its fair share of iconic scenes and clips. One of the notable scenes was the Hulk fighting against Tim Roth’s Emil Blonsky. Being a fearless soldier tasked with killing Bruce Banner, Tim Roth had an exceptional fight scene with the Hulk.
After the fight is over, Blonsky walks up to Norton in his Hulk form and asks “Is that it? Is that all you got?”. This results in the Hulk getting angrier and kicking Blonsky so hard that he flies a few feet away. The scene depicts Blonsky hitting the ground and rolling towards a tree stump. With a hard thud, the character lands face-first into the tree stump and his body sinks to the ground.
Although the focus is on General Ross during that scene, the out-of-focus face of Blonsky shows quite a significant amount of bleeding. The scene is intense and terrifying at the same time which showcased the fact that Edward Norton’s Hulk was indeed more devastating and chaotic compared to Mark Ruffalo’s Hulk in the MCU.
Suggested: ‘The Godfather’ Director Chose Matt Damon Over Marvel Star Edward Norton Because of Damon’s $100 Million War Movie With Denzel Washington
Related: “I didn’t feel that it was honored”: Breaking Bad Star Bryan Cranston Revealed He Would Never Work With Director Who Clashed With Edward Norton During Their $20M Movie
It could have been a very likely possibility that the scene mentioned above was written by Edward Norton himself. According to film trivia, Tim Roth (who got kicked in the face) stated that Norton used to re-write his scenes every day while on the sets of The Incredible Hulk.
The Fight Club actor and Liv Tyler also used to sit down every day and talk for hours before filming would start. As per the trivia, the duo would discuss their character’s lives especially before Bruce Banner became the Hulk which helped with the bonding between them. The Incredible Hulk received a rating of 6.6/10 on IMDB and 67% on Rotten Tomatoes and wasn’t much of a success. The 2008 film is available to stream on Disney+.
Source: ScreenRant, IMDB
Visarg Acharya joined FandomWire in 2022 as a Content Writer. Along with a penchant for writing, Visarg claims that words are the only true language made for him. Currently pursuing his B.Sc in Physics, the combination of Physics and Marvel make up for an interesting talk. Visarg Acharya has authored over 500 articles and reads books in his spare time along with an occasional series to accompany him.
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Computers have moved on, but sons can still put dads in their place… – The Guardian
My son has started coding. He’s only five and I reckon we may have to expand the definition of coding a little, but he has joined something called Coding Club at his school. It involves him and his classmates sitting at computers and, well, I’m not sure what happens after that, since he observes a Fight Club-style omertà when it comes to anything he does at school.
He is familiar with computers and often joins me in my office – his baby sister’s bedroom – while I work on these very articles. It would be charming if I could say he’s helped much in their writing, perhaps offered a paragraph or two you’ve enjoyed – but this has not been the case. He mostly enjoys opening a new document and using the keyboard to write the longest, rudest words he can spell (‘poo-trampoline’ being a favourite) and I am left to do the grunt work myself.
I read that Coding Club uses a game-based platform that enables students to ‘code sprites to move around in different environments’ in which they make ‘rockets, trucks, spiders and even Cinderella!’ It sounds impressive, so I look online to find the module and try it myself. I am presented with a cheery little penguin suspended in the void. As I move said bird, a readout displays his grid coordinates. There are dozens of toolbars and dropdown tabs which, I presume, allow you to do magnificent things with this penguin, but after about four minutes I realise I have no idea what I’m doing and return to my oppressive deadlines.
My own instruction in computing was mostly at home. I was lucky in that my dad was an early adopter, who first caught the tech bug in the 90s. As a civil engineer, his job had little to do with computers, but his fondness for anything square, beige and bleeping meant he was drafted as an ad-hoc IT department for his office and our garage soon became an angular graveyard of discarded CPUs, printers, scanners and servers, with which he would mess, fiddle and, occasionally, perform resurrections. It was here that my little brother and I spent a large part of our childhood, setting up battered servers and mounting local area networks to play Doom on salvaged PCs. We repaid our dad by telling him, ‘You’re doing it wrong’ the second our skills overpassed his own.
The instruction I received in school was paltry in comparison. I did my GCSE in ICT in 2002, a year before the curriculum was updated, working from decade-old textbooks that referred exclusively to ‘electronic mail’ and mentioned the internet only briefly by saying ‘as many as 4 million people may soon be on the world wide web’. An accurate number for 2002 would have been 560m, it’s now almost 6bn, my son among them.
I won’t have him falling behind. When he comes in from school, I show him I have the module right here at home and wiggle the little penguin around for his edification. ‘Daddy,’ he says, ‘you’re doing it wrong,’ and something inside me dies.
Did Ye Hear Mammy Died? by Séamas O’Reilly is out now (Little, Brown, £16.99). Buy a copy from guardianbookshop at £14.78
Follow Séamas on Twitter @shockproofbeats
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