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10 Great Thriller Movies That Bombed At The Box Office – Screen Rant

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Many thrillers bomb at the box office because they’re hard to market and don’t often have happy endings, but these are some of the genre’s best.
Well-crafted thrillers occasionally see theatrical success, but even some of the best thrillers bomb at the box office. The thriller genre has long been a Hollywood staple, captivating audiences with intense and suspenseful narratives. Between mind-bending psychological movies and action-packed, adrenaline-fueled projects, the genre has delivered some of the most memorable moments in film history. Unfortunately, not all the best thrillers become successful. Despite their potential, thrillers often underperform due to marketing mishaps, bad release timing, or catering to niche audiences.
The general rule of thumb is that a movie needs 2.5 times its budget to become profitable, as that number accounts for marketing expenses and the movie theaters' cut. However, in the unpredictable realm of filmmaking, even the most exceptional thrillers often face challenges that prevent them from reaching that number and becoming box office hits. These films might not have reached the financial heights of their peers, but that doesn't mean they aren't glowing examples of how the thriller genre can engage viewers on a profound level.
While Emily the Criminal is not based on a true story, the movie covers an issue that millions of people struggle with: student debt. The film follows the titular character who is saddled with student debt but also locked out of the job market because she has a criminal record. As a result, she becomes involved in a credit card scam, which pulls her deeper into Los Angeles' criminal underworld. The movie is clever and original, and it features Aubrey Plaza's best performance to date. Sadly, Emily the Criminal only made $2.2 million worldwide (via Box Office Mojo).
Zodiac is a meticulously crafted thriller by visionary director David Fincher, and the movie is the filmmaker's most ambitious project to date. The film follows the hunt for the real-life Zodiac Killer in San Francisco during the 1960s and 1970s. Zodiac totally gets under the skin as it depicts the suspects but never reveals who the titular killer is. Zodiac made $84 million against a $65 million budget (via Box Office Mojo), losing the studio millions of dollars. The film was positively received, and Zodiac remains one of Gyllenhaal's best movies. However, its 2.5-hour runtime and lack of a traditional resolution held it back from becoming a success.
Brian De Palma's Blow Out is as Hitchcockian as it gets, as the movie follows a sound engineer who inadvertently records a politically motivated murder while working on a low-budget horror movie. This leads the sound engineer to try to uncover what's going on, taking him on a tense and nerve-wracking journey. Blow Out is stylish, full of suspense, and one of the few remakes that are just as good as the original (the film is a retelling of 1966's Blow Up). Unfortunately, despite John Travolta taking on the lead role, Blow Out grossed only $13 million worldwide (via Box Office Mojo).
The Sam Raimi-directed A Simple Plan follows three friends who find a crashed plane in the snowy woods, which contains a fortune in cash. The 1998 thriller explores the moral dilemma the friends have and investigates themes of greed as they deal with the quandaries presented after taking the cash. Out of his own filmography, A Simple Plan is Raimi's favorite movie, which is saying something given that it includes the Evil Dead series and the 2000s Spider-Man trilogy. The film massively underperformed at the box office, making just $16 million against a budget of $30 million (via Box Office Mojo).
Before making the groundbreaking sci-fi flick The Matrix, the Wachowski sisters' directorial debut was the convention-defying neo-noir thriller Bound. The thriller is about two women who conspire to steal mob money, and it also explores their romantic relationship. The film expertly balances tension, suspense, and sensuality. Just like all Wachowski movies, it's intensely stylish as well. Unfortunately, the directors didn't find financial success until three years later, as Bound only made $7 million against a $6 million budget (via The Numbers). The movie's performance suffered from limited marketing and controversial subject matter for its time.
Snake Eyes is a criminally underrated crime thriller about a murder at a boxing match, which is somehow tied to police corruption. Nicolas Cage plays a morally ambiguous detective, and it's another one of the actor's exciting uncaged roles. Unfortunately, Snake Eyes wasn't positively received when it was released, which led to a disappointing box office performance. Snake Eyes made $104 million worldwide (via Box Office Mojo), which sounds like a success compared to its $73 million budget. However, based on the 2.5 rule, the movie would still have lost the studio around $80 million.
Running Scared follows a low-ranking mobster who must race against time to get rid of a gun used to kill corrupt cops — but in order to do that, he must find the gun first. The movie is an adrenaline-fueled, pulse-pounding thrill ride with a pitch-black tone. It's also Paul Walker's best non-Fast & Furious movie. While the movie stars Walker in its lead role, it struggled from a lack of star power. Running Scared received negative reviews, too, and currently sits at a "rotten" 41% on Rotten Tomatoes. However, Running Scared is a huge audience pleaser, as the movie holds a 79% audience score.
Stoker is a psychological thriller that explores the disturbing dynamics within a dysfunctional family. The film is a visual and atmospheric tour de force — as is every movie directed by Park Chan-wook — thanks to its eerie performances and brooding cinematography. The film makes no attempt to make audiences feel uncomfortable and, in fact, does an incredible job of leaving viewers uneasy. Unfortunately, Stoker barely made back its $12 million budget, making just $12 million worldwide (via Box Office Mojo). The movie was a tough sell for mainstream audiences, as Stoker is such a slow burn and built almost totally on symbolism and atmosphere.
Twin Peaks is about who killed Laura Palmer, and Twin Peaks: Fire Walk With Me is a prequel leading up to Laura's murder. The movie only made $4.1 million worldwide, and the film's international box office was shockingly poor, making $47,000 in theaters (via The Numbers). However, the 1992 release is so tied to the TV show that it was only ever going to appeal to a niche audience, and any viewer who hadn't seen the series would have been totally lost. Twin Peaks: Fire Walk With Me also didn't do anything to solve the show's many mysteries, but that's what makes the film so alluring.
Considering that Fight Club has become one of the most celebrated movies ever, the movie had a surprisingly dreadful release. The film made $101 million against a $63 million budget (via Box Office Mojo), meaning that it would have lost the studio around $50 million. Fight Club also had a mixed critical reception. However, Fight Club is now considered one of the greatest thrillers of all time and one of the best thrillers that bombed at the box office. The film expertly explores masculinity and modern society, and it's all wrapped up in a subversive, graphically violent treat. Plus, Fight Club's ending is totally unforgettable.
Source: Box Office Mojo, The Numbers, Rotten Tomatoes
Currently splitting his time between Madrid and Chicago, Stephen Barker has been a staff writer at Screen Rant since 2020. Since graduating from Manchester Metropolitan University with a bachelor’s degree in Film, Television, and Cultural Studies in 2014, he has written for numerous movie and music websites. Visit Stephen’s personal blog, Quaranste, where he writes about guilty pleasure movies, his latest musical discoveries, and how he stays creative during global pandemics.

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Neighbors Challenge Lake Club as Pickleball Fight Heats Up; P&Z … – Good Morning Wilton

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On Monday, Nov. 27, the Lake Club returned to the Planning and Zoning Commission nearly seven months after a public hearing brought attention to the increasingly tense relationship between the Club and its residential neighbors — many of whom are themselves active members.
Located at 175 Thayer Pond Rd., the Lake Club operates with a special permit that allows private membership recreation clubs to be located within a residential neighborhood, provided that they do not impact the surrounding area more than a typical residential development would. Earlier this year, the Club applied to convert one of its existing tennis courts into four dedicated pickleball courts, which will include changing the surface material to the hard-court paving typical for the sport.
Pickleball has grown enormously in popularity in recent years and is now the fastest growing sport in America. In June, The New York Times published a story on rising noise concerns about the sport, due to the particularly high-pitched “popping” sound it produces.

Back in May, the Commission asked for further sound analysis and challenged the Club about why it had failed to better communicate with neighbors ahead of submitting the application. Returning to the Commission with a resubmitted application, the Lake Club offered two new concessions in light of neighbor concerns, presented by attorney Casey Healy:

  • 12-ft fencing with acoustical panels will be installed on two of the four sides of the proposed courts.
  • Pickleball play would be restricted to “daylight hours” or no longer than 8:00 am to 8:30 pm, depending on the season. Attorney Kathleen Royle, also representing the Lake Club, confirmed that the courts do not have lights.  

Healy reiterated that the estimated sound impact of pickleball on neighboring properties complies Wilton’s noise regulations. However, this finding and the concessions seemed to do little to convince either neighbors or the Commissioners that the Lake Club was making a serious attempt to respond to sound concerns.
Commissioner Chris Pagliaro called the offer ‘cold,’ and said, “After all this time, we basically got a plan that says we’ll put a fence and acoustical panels on two of the walls. It doesn’t feel like the Club is trying to be particularly neighborly, it feels like you’re just trying to check a box.”
A group of nine neighbors, many of whom testified back in May, returned to speak out against the project once again, this time bringing an attorney and an independent sound analysis to back up their case.  
The informal coalition made several claims objecting to the application and in some cases, asserting that regardless of pickleball, the Lake Club is already out of compliance with its existing permit:

  • Attorney Wilson Carroll, representing resident Ed Rowley, said that “pickleball is fundamentally incompatible with residential neighborhoods,” and argued that the Lake Club’s activity levels are already in excess of permitted residential uses.
  • Ed Rowley himself presented a powerpoint on the unique sound qualities of pickleball and widespread community objection to the sport, which is excerpted below.
  • Greg Maroney explained that he had indeed been bothered by the sound of the two pickleball tournaments held over the summer, in response to claims by Healy that the Club never received noise complaints in the past. “Am I just supposed to complain every time something annoys me?” Maroney asked. “To who — the police? That’s not a neighborhood. That’s not what I want to do.”
  • Several neighbors testified that they had never been contacted by the Lake Club about the pickleball court proposal.
  • In addition to the topic of pickleball, neighbors alleged an ongoing issue of noise creep in recent years, citing early morning leaf-blowing and late-night parties featuring DJs and outdoor movie screenings in particular.

The Commission agreed to continue the hearing and add it to the agenda for the Dec. 11 meeting. Healy said that the sound consultant representing the Lake Club would be available to answers questions from the Commission and neighbors at that time.

Remaining Master Plan Regulations (and More) Approved

Elsewhere that evening, the new zoning overlays for Danbury Rd. near Wilton Center passed unanimously following a public hearing in which only one member of the public requested to speak. Kelly Morron asked for clarification on whether St. Mathew’s Cemetery falls within the East overlay zone, which it does.
The new overlays will allow development up to three stories on the east side of Danbury Rd. in the area south of Wilton Center, and up to four stories on the west. More detail on the areas affected can be found in GMW’s past coverage. With the addition of these two new overlays, there are now 11 sets of zoning rules operating in the 0.68 square mile area designated as Greater Wilton Center.
Chair Rick Tomasetti, who also chaired the subcommittee that spearheaded the master plan and resulting zoning regulation changes, recused himself from the vote and did not participate in the Nov. 27 meeting. Vice Chair Melissa-Jean Rotini chaired the meeting in his absence.
The Commission also voted to approve three items that appeared in the Communications/Discussion section of the agenda, a move that seemed unusual to Rotini, who asked Town Planner Michael Wrinn for clarification that a vote could be held “from this place in the agenda.” He confirmed that it could, and so the Commission went on to unanimously approve the following:

  • A zoning text amendment and special permit allowing ASML employees working at the 77 Danbury Rd. facility to use overflow parking at the company’s 20 Westport Rd. property; and
  • A special permit approving a three-season patio at Cactus Rose restaurant in Wilton Center.

Looking Ahead

New zoning regulations on childcare facilities and electric vehicle charging stations are also in the works, in light of recent state requirements.
The next meeting of the Planning & Zoning Commission is scheduled for Monday, Dec. 11. This will also be the first meeting of the new Commission, which will now include Commissioner-elect Anthony Cenatiempo. He replaces Commissioner Matthew Murphy, who is stepping down. The Commissioners thanked Murphy for his service to the town before concluding the meeting.
Disclosure: GOOD Morning Wilton’s editor is a member of the Lake Club.

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Fight, shooting at Rocky Mount motorcycle club leaves 1 man dead – WTVD-TV

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ROCKY MOUNT, N.C. (WTVD) — A man was shot and killed during an altercation at a motorcycle club, Rocky Mount Police said Monday.
Officers responded just after 9:30 p.m. on Sunday to All Round Huzlerz at 309 Tarboro St. Shots were fired during the fight and 55-year-old Donald Joseph of Rocky Mount was struck. He died at the scene from his injuries.
Police said Joseph was shot by "a known individual" but did not release a name nor mention anyone in custody.
No other injuries were reported.
The Rocky Mount Police Department Criminal Investigations Division continues to investigate. Anyone with information on this incident is asked to call the Rocky Mount Police Department at (252) 972-1411, call Crimestoppers at (252) 977-1111 for cash rewards, or Text-A-Tip (text RMPOL and your message to 274637).
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Tiger women ready for ACC Challenge – Rivals.com – Missouri

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Mizzou women’s basketball is halfway through its non-conference schedule and sits at 5-2 before its matchup with Virginia. The Tigers will take on the Cavaliers in Charlottesville Thursday afternoon at 4:00 in the ACC/SEC Challenge. Virginia enters the matchup with a 4-2 record and has losses to #25 Oklahoma and #7 LSU.
Mizzou is coming off a loss in the Daytona Beach Classic to Kent State and looks to gain its first road win of the season. The Tigers’ first road game resulted in a loss earlier this season to SLU.
“Disappointed in our trip to Florida, it just didn’t feel like our offense,” head coach Robin Pingeton said. “We’ve got four players averaging double figures, but our offense didn’t travel with us. You’ve got to be really strong on the defensive end, especially on the road. I thought our transition defense has definitely made some strides, really pleased where that is, I like where that’s trending”.

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Heading into this game Mizzou is averaging 80.6 points per game and is being led by Hayley Frank with 17.9 points per game. To this point in the season Mizzou is shooting 47% as a team from the field and 39% from behind the arc. Defensively the Tigers are allowing just 68.1 points per game.
Pingeton spoke highly of the Cavaliers ahead of the matchup on Thursday: “Virginia is really talented. They’ve got good size, good athleticism, and a good balance in their inside-out game”.
Virginia currently averages 17 offensive rebounds a game and is limiting opponents to scoring 61.5 points per game. Pingeton believes the way the Tigers have to fight this is with more grit on the defensive end and by taking these matchups personally.
“I think we take a lot of pride in our offense, and we’ve got to get to that point where defensively we’re really taking it personal,” she said. “We have to be finding ways to be gritty in our rotations and putting out fires for each other and it comes down to not the size of the dog in the fight but the size of the fight the dog. We’ve got to have a mind shift, our mentality is just got to be a little bit grittier on that defensive end”.
Mizzou must get better every week as the season goes on, Pingeton believes. The Tigers expect this game to be a battle, but they will not do anything different than what they are capable of according to Pingeton.
“It’s just continuing to do what we do and improve in the areas that we need to improve on. It’s these days in practice that lead up to Virginia, that we’ve created better habits and awareness and a sense of urgency. In regards to our rotations, be more disruptive. To our attention to detail, getting a body and making sure we’re getting somebody boxed out. Low man always wins on the boards. It’s some of those kinds of things that we have to continue to be mindful of in practice”.
Thursday’s game will be televised by the ACC Network.
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